Looking at the architectural anatomy of this house, one immediately feels its incredible strength ... This house possesses dignity. Oak and chestnut timbers provide all the physical security ... These sticks have soul.
—From the diary of Robert Strada,
AUGUST 15, 2006
More than a month ago, Robert Strada, an architect and historic preservationist, his wife, Michelle Murphy Strada, and a crew of workers set out to take the 266-year-old home at 444 Little Plains Road in Southampton Village down—piece by piece. They took it apart to save it. The home sat on a piece of property purchased by a new owner who wanted to build a new house there. So the 18th century Colonial was headed for destruction. But village officials worked with the new owner, area preservationists and Mr. Strada to broker a deal that was amenable to everyone. In the end, the effort kept the Little Plains home from becoming a tinder box.
During the three-week disassembly, Mr. Strada kept a journal of the work, the progress and the sometimes surprising finds revealed as layers of wood were peeled and pried back.
4 AUGUST 2006, SOUTHAMPTON
The first day of this preservation project begins uneventfully, waiting for the Dumpster and storage container. The crew starts tomorrow, after the insurance certificate is received by the buyer’s attorney. I complete the CAD drawing of the three floors as a woman pulls into the driveway with her granddaughter. She claims to have been a friend of the Dixons (the home’s previous owners). Now, simply a friend of preservation.
The house was built in Connecticut around 1740 and sometime in the late 19th century was moved by boat to Sag Harbor, where it remained for a few decades until spotted by a member of Dixon family and moved again, this time to the family’s property in Southampton Village. It came to rest at 444 Little Plains Road in 1930.
The Little Plains property is not in the village’s Historic District, so the village’s Board of Architectural Review and Historic
Preservation had no jurisdiction over the home. And since the Colonial’s origins lie far outside the village line, it didn’t qualify for landmark status protection. Still, the age of the home, its excellent condition, and the fact that its classic design is reminiscent of the some of America’s earliest architecture prompted historic preservationists, includ-7 August 2006
I decided to remove the original corner cupboard from the property for safekeeping. Zach Studenroth and Roger Blaugh visited this morning. I value their input ... The mason who worked on the chimney revealed himself to us: W. Darby, who dated the work
JAN. 11, 1944. THANK YOU, MR. DARBY.
Roger Blaugh, chairman of Southampton Village’s Board of Architectural Review and Historic Preservation, was integral in hammering out the deal among the Little Plains property owner Richard Byrne, village officials and Mr. Strada to preserve the home, Mr. Strada said. The main sticking point was an $80,000 tax bill Mr. Byrne was going to have to pay if the home was still standing when he closed on the purchase of the property. But by allowing the fire department to conduct two firefighting drills in non-historic portions of the house, the village was able to give Mr. Byrne a rebate on the property’s fire protection tax bill to offset the taxes.
“It takes a village—it really does,” Ms. Murphy Strada said last week. “So many people came together to help save this beautiful old house. It was really an amazing thing to see the cooperation and caring.”
The Stradas were equally thankful the fire crews practicing in the home were as careful as they were not to damage any of the historic elements. “Truly, in the end, everyone in this village that could help make this work, did,” Mr. Strada said.
And once the disassembly began Mr. Blaugh and Mr. Studenroth, director of the Sag Harbor Whaling Museum, visited the site often, helping the Stradas identify parts and marvel at the construction.
11 AUGUST 2006
Eureka! The numbering system has revealed itself in the form of Roman numerals on each section of the roof rafters. As I follow the rafters down to the plate, it becomes obvious that corresponding numerals exist at the peg opening of the adjacent spacing rafter. The spacing of the rafters starts out randomly, then suddenly becomes consistent ... Another odd characteristic is that the first seven rafters (identified with Roman numerals I-VII) starting on the north side are thinner than the next eight. In fact, the middle rafter is not a part of any numbering system. ... Zach Studenroth arrives to clarify the puzzle: We are looking at two 18th century structures joined together. Thus the two numbering systems and the random spacing.